![]() ![]() Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description.īLR12PA797083 (quote this reference in any e-mails, letters, faxes or phone calls to help identify this item)īritpop, Indie, NME Indie/Alternative ArtistsĪfrica Express, Damon Albarn, Danger Mouse, Dangerdoom, Del The Funky Homosapien, Deltron 3030, Fat Les, Gorillaz, Graham Coxon, Handsome Boy Modeling School, Monkey, The Good, The Bad And The Queen, The Waeve, WigwamĬomplete Stock to contact our sales team.Ĭall 01474 815010 quoting EIL.COM reference number BLR12PA797083 Parklife (click here for more of the same title)Īdd item to your basket for a postage/shipping quoteġ2" vinyl single (12 inch record / Maxi-single) Sold Out - 'Request Next' to get an email if it comes back into stock. Irrespective of the source, all of our collectables meet our strict grading and are 100% guaranteed. We buy items as close to Mint condition as possible and many will be unplayed and as close to new as you could hope to find. This item is in Excellent condition or better (unless it says otherwise in the above description). ![]() A climate where everyone is "looking for girls who want boys who like/Boys to be girls who do/Boys like their girls who do/Girls like their boys." Laments Albarn, "Oh I should be someone you really love." If it's solid pop songs with a bite you're craving, you'll love PARKLIFE.Blur Country House + Sales Presenter UK 12" vinyl Promoīlur Parklife UK 12" vinyl single (12 inch record / Maxi-single) The disco rhythms and keyboards in "Girls & Boys" highlight Albarn's cutesy look at romance in the 1990s. While Blur emerged from the same fertile, neo-glam soil as Suede (Albarn's girlfriend, Justine of Elastica, used to be Suede's rhythm guitarist), Blur is the king among the new British glams. Layering the aesthetic of the 1980s film BRAZIL with the Kinks' DAVID WATTS, Blur is quite possibly the new British hope. Albarn's fascination with urban decay was apparent on MODERN LIFE IS RUBBISH, but with the followup PARKLIFE, Blur embraces the modern.ĭuring the instrumentals, PARKLIFE plays like a surreal game show. Wearing the hat of a Ray Davies-type sociologist, Blur's Damon Albarn weaves tales of modern London laced with the suspicion that, indeed, the empire HAS ended. Wedged in between retro and revisionist sits Blur. And if you listened to the British rock press, you'd think that they invented them. Recorded at Maison Rouge & Rak Studios, London, England from November 1993-January 1994.Īfter many decades of rock, there's an equation that still holds true-there are only twelve major chords to choose from. Producers: Stephen Street, Stephen Hague, John Smith, Blur. Blur: Damon Albarn (vocals, recorder, Hammond organ, harpsichord, melodica, keyboards, Moog synthesizer, vibraphone, programming) Alex James (vocals, bass) Graham Coxon (acoustic & electric guitars, clarinet, saxophone, percussion, background vocals) Stephen Street (keyboards, programming) David Rowntree (drums, percussion, programming).Īdditional personnel: Phil Daniels, Laetitia Sadier (vocals) Louisa Fuller, Rick Koster, Mark Pharoah (violin) John Metcalfe (viola) Ivan McCready (cello) Chris Tombling, Audrey Riley, Leo Payne, Chris Pitsillides (strings) Simon Clarke (flute, alto & baritone saxophones) Stephen Hague (accordion) Tim Sanders (soprano & tenor saxophones, trombone) Roddy Lorimer (flugelhorn, trombone) Richard Edwards, Neil Sidwell (trombone). ![]()
0 Comments
Leave a Reply. |